![]() 2.11.10 "To Have And To Hold (Spanish Taster)".2.11.9 "Never Let Me Down Again (Aggro Mix)".2.11.4 "Sonata No.14 in C#m (Moonlight Sonata)".It is unclear if the sample was used in the specified song. The sample is confirmed to not have been used in the specified song. The sample is not yet confirmed to have been used in the specified song. The sample is likely to have been used in the specified song but has not yet been confirmed. The sample is independently confirmed to have been used in the specified song. The sample is confirmed to have been used in the specified song by a past/present member of Depeche Mode, an individual involved in its production, or band archivist Daniel "BRAT" Barassi. ![]() ![]() Analysis of these sample sources and how they are manipulated is a popular topic of discussion amongst fans of the group. Among the many original samples recorded and utilized by Depeche Mode to enhance the atmosphere of their musical output are many that originated elsewhere, including brief passages of musical recordings by other artists, snippets of audio from television shows, radio broadcasts, films, environmental sounds, and more. As pioneers of the electronic music genre, Depeche Mode were among the most prolific acts to make use of sampling technology within a traditional pop music format. ![]() In audio production, sampling refers to the use of a portion (or sample) from a sound within another recording. ![]()
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